|
|
|
| Christmas Program | Classical Program |
| 1. Away
in a Manger - Traditional
2. Bell Carol - Ukrainian, Arr. by M. Leontovych 3. It Came upon the Midnight Clear - R. Willis 4. Jingle Bells - James Pierpont 5. Joy to the World - G. F. Handel 6. New Joy - Ukrainian Traditional 7. News in Bethlehem - Ukrainian Traditional 8. O Come, Little Children - Traditional 9. O, Christmas Tree - Traditional 10. O, Little Town of Bethlehem - Brooks - Redner 11. O, Holy Night - Adolph Adam 12. Silent Night - German, Music by F. Gruber 13. Sleep, Little Jesus - Polish Traditional 14. The First Noel - Traditional 15. The Stars in the Sky - Ukrainian Traditional 16. Ukrainian Christmas Phantasy - by Yuriy Oliynyk 17. Up on the Housetop - B. R. Hanby 18. We Wish you a Merry Christmas - Traditional 19. We Three Kings - Traditional 20. A Wonder - Traditional |
1. J-S. Bach – Ave Maria -Bandurà
and Flute
2. J-S. Bach – Jesu, Joy of Man’s Desiring 3. J-S. Bach - Sheep My Safely Graze 4. J-S BAch - Air from Overture in D 5. E. Capua - O, Sole Mio 6. D. Cacchini - Ave Maria 7. A.Corelli - Saraband from Sonata No. 8 8. J. Pachelbell – Canon in D 9. F. Schubert – Ave Maria 10. Unknown Author - Variations on Theme by V. A. Mozart 11. A. Griboedov – Waltz 12. M. Skoryk – Album Leaf 13. Folk arrangement – Garland of Hutsul Melodies 14. Oksana Herasymenko – On Wings of Dreams 15. Oksana Herasymenko – Dedication - Ïîñâỵ̈à 16. Oksana Herasymenko – Melody of Blue Sky 17. Oksana Herasymenko – Sun's Ray 18. Oksana Herasymenko – Solo for Flute 19. Oksana Herasymenko – Confession 20. Oksana Herasymenko – Reminiscences |
Seattle - International Festival, May 2002 |
Sacramento, California, December 2003 |
| Our mailing
address is: Bandura Trio
5253 Glancy Drive Carmichael, CA 95608-5458, USA |
E-mail
address: bandura.ca@att.net
Fax: (916) 482-4706 Telephone: (916) 761-8392 |
![]() |
The Bandura is a unique Ukrainian
musical instrument that dates back to the 7th century. Originally is was
used for accompaniment of epic folk ballads and occasional folk dances.
It became immensely popular between the 15th and 18th centuries when traveling
musicians, called Kobzars, entertained in towns and villages of Ukraine,
while singing about the exploits of the Kozaks (Ukrainian warriors). Over
the years, the bandura acquired more and more strings and became a fully
chromatic concert instrument with switches for changing tonalities.
The Bandura is taught as a solo and ensemble instrument in all music schools and conservatories. During the Soviet-Russian occupation of Ukraine, the bandura fell into disfavor because it was the carrier of Ukrainian national history and culture, which according to the communist master plan was to be submerged into a single Russian mainstream. According to the memoirs of the famous Russian composers Dmitry Shostakovich, most of the bandurists in Ukraine were lured to an official congress of folk music in the mid. 30’s and subsequently shot and buried in a secret grave never to be heard of again. Some day, says Shostakovich, the people who were responsible for these evil deeds will be brought to account. The bandura survived the years of Russian domination in Ukraine only as a classical instrument upon which the works of Bach, Mozart, and other classical composers were performed. Since Ukraine regained its independence in 1991, the revival of the folk traditions with epic folk ballads is in progress and the bandura has regained its prominent place as a Ukrainian national instrument. Ola Herasymenko performs on an instrument custom built by her father Vasyl Herasymenko. It is equipped with 65 strings spanning almost 5 octaves. |
|
|
|
|
|
|
|